Haydn, J.: Keyboard Concertos

HAYDN Organ Concertos: in C, Hob XVIII:1,8,10. Harpsichord Concertos: in C, Hob XVIII:5; in F, Hob XVIII:7 • Helmut Müller-Brühl, cond; Harald Hoeren (org); Ketil Gaugsand (hpd); Cologne CO • NAXOS 8.570486 (72:46) These early concertos—from the 1750s, although some were revised in the 1760s—were written to be played by either organ or harpsichord, which is why this disc is entitled “Keyboard Concertos.” In Brilliant Classics’s recent 150-CD “Haydn Edition,” all five of these works were played on an organ. The music is conventional, having elements both Baroque and rococo, but it is still Haydn, which means spirit and quality as well as competence. The only lack is individuality; I would hate to face a blind audition of each movement—especially if you switched solo instruments. These performances are also conventional, too much so. The modern-instrument band produces very little color, and less variety of it. Bland, tubby recorded sound reinforces that feeling; trump