Race and the Revolutionary Impulse in the Spook Who Sat by the Door

This fascinating examination of a revolutionary work foregrounds issues of race, class, and social inequality that continue to incite protests and drive political debate. Table of Contents: AcknowledgementsIntroduction: The Spook Who Sat by the Door / Michael T. Martin and David C. Wall1. Writer/Producer's Statement: The Making of The Spook Who Sat by the Door / Sam Greenlee2. [D]uality is a survival tool. It's not a disease: Interview with Sam Greenlee on The Spook Who Sat By the Door / Michael T. Martin and David C. Wall3. Cinema as Political Activism: Contemporary Meanings in The Spook Who Sat by the Door / Marilyn Yaquinto4. Persistently Displaced: Situated Knowledges and Interrelated Histories in The Spook Who Sat by the Door / Samantha N. Sheppard5. Subverting the System: The Politics and Production of The Spook Who Sat By the Door / Christine Acham6. The Spook Who Sat By the Door, Screenplay / Sam Greenlee and Melvin ClayAppendix A: Press KitAppendix B: National Film Registry E