Tween

The word “tween” implies a certain, very specific kind of awkwardness, and those implications are rarely positive. But think about it like this: Something “tween” is in the process of becoming something else, and there’s a very specific kind of beauty in that becoming. There’s something rewarding in recognizing and celebrating it—in meeting it halfway. Jenn Wasner and Andy Stack—the band’s two halves—described these songs as “not emblematic of a step forward, but a step sideways in time.” In other words, they just didn’t make sense for album number five—which will happen at some point in the future. But just because they didn’t belong there doesn’t mean they don’t belong anywhere. To wedge them onto Shriek would’ve been dishonest; to orphan them would’ve been somewhere on the line between criminal and just plain silly. Tween is full of gorgeous Wye Oak songs whose only crime was timing and context, made by two people at the height of their game. One minute Jenn and Andy are embracing t